Umm Kulthum, the planet of the East and the icon of the Arab ritual, was not an exceptional singer, but rather a unique sound phenomenon which caught the attention of researchers and musicians from all over the world. This voice, described as one of the strongest voices in history, has been characterized by exceptional scientific and artistic characteristics which made it a subject of study, not only in terms of emotional, cultural and artistic influence, But also in terms of technique of functionalities such as the term audio, ringtone, respiratory control and expressive force.
Vocal range and ringtone
One of the aspects that drew attention to the sound of Umm Kulthum is its wide audio range, which extends to at least three octaves. According to Virginia Danielson’s book “Voice of Egypt” (1997), Umm Kulthum has shown an exceptional ability to move smoothly between the low, medium and high layers without loss of clarity or resonance. This places it in a rare category of classic and contemporary singers.
Danielson also refers to the deep appreciation of Umm Kulthum for elegant hair, because it has the capacity to connect musical improvisation to the meanings of the words it sings, which makes the meaning very perceived by listeners. The art of the Arabs and the good song of poetry attract an enormous appreciation of the speaking listeners.
In addition, the voice of Umm Kulthum showed a strong denina in Formalt, a characteristic which is generally associated with opera singers. The studies of the University of Harvard and the Vienna Vienna Institute indicate that it has used lyrical formalté technology, allowing its sound to be clearly heard on the orchestra without needing electronic amplification, which is a solid phenomenon similar to what is in the traditions of traditions of traditions of traditions of traditions of Western Opera Traditions.
Breathing control
One of the main factors that contributes to the power of the voice of Umm Kulthum is its control of exceptional breathing. Research in the field of audio science shows that its ability to maintain long musical sentences without taking an audible breath is the result of the use of advanced sailing breathing techniques. This is particularly obvious in its live performance, because it was able to extend the tones for long periods while maintaining dynamic control.
Luciano Pavarotti, one of the largest opera singers, expressed his admiration for respiratory support and the ability of Umm Kulthum, indicating that his flow of air governing allowed him to provide very difficult emotional and technical performance . In traditional Arabic music, which focuses on long melodic sentences and complex decorations, this type of control is decisive, and Umm Kulthum has mastered it to an unprecedented degree.
Consensual melodies
The spectral analysis of the archives of Umm Kulthum, led by researchers from the University of Oxford, revealed that its voice contains a rich consensus, which improves its heat and its depth. These consensus contribute to the consciousness of the listeners of the richness of sound and its emotional intensity. In addition, the presence of a strong harmonic explains the reason for the survival of its clear and distinct voice even in the ancient recordings of the 20th century, which did not depend on advanced sound engineering techniques.
She had the capacity to generate high energy frequencies in the 3,000 Hz range, known as “Foreman Singing”, which allowed her voice to be clearly promoted to accompanying music. This feature is a decisive advantage in the power of singers, because it guarantees that their voice remains heard even in complex musical distributions.
Emotional expression and audio nature
In addition to his technical skills, the voice of Umm Kulthum is looted for its ability to an emotional and unique deep nature. He was also detailed in the BBC documentary “Umm Kulthum: a voice like Egypt”, his voice has a dynamic spectrum which can express a deep sadness, extreme joy and an emotional desire, often in the song it- even. Musical scientists argue that this capacity is due to its precise control of the sound spectrum, which allowed it to adjust the nuances of the audio color to align the content of words and musical expression.
The literary critic and musician Edward said that stressed Umm Kulthum’s ability to maintain emotional tension by his voice. He pointed out that its use of specific changes in melodies and melodic decorations allowed them to form musical sentences in a way that has strongly affected the Arab public, while preserving the structures of traditional stations and in introducing a sort of ‘improvised improvisation.
https://www.youtube.com/watch?v=XBVU_AP6MQS
Comparison with classic Western song
The voice of Umm Kulthum is often compared to Western opera singers due to its strength, endurance and projection techniques. A comparative study conducted in the music department of the University of Stanford underlined the use of Umm Kulthum for the cycle, the vibrato and the disciplined portmont but unlike Western singers, it merged the Arab improvisation of Arabic beans ( Division), which added a single layer of expression which made it distinguish itself from classic singers.
In addition, her skill in decoration and melodic training was compared to Maria Callas techniques, another singer famous for her expression and technical precision. The two singers showed the ability to keep the sound of sound while forming dynamic ferries, a competence that requires enormous control of ringtone and pronunciation.
The voice of Umm Kulthum is an excellent example of vocal force, technical mastery and emotional expression. His ability to abandon the sound without amplification, the sustainability of long sentences with an incredible control of breathing and enrich his voice with a consensus makes it one of the greatest singers in history.