14/4/2025–|Last update: 04/14/202508:45 am (Mecca time)
The Spanish-writer-written writer-Peruvian Mario Vargas Yossa, Nobel Prize in literature, died Sunday at the age of 89 in the Peruvian capital, Lima, where he lived a few months ago from public life, according to what his family mentioned in a letter via the platform X.
Mario Vargas Yosa was born in Peru in 1936 and remained in Bolivia and Lima before moving to Spain to study the arts. He also lived a certain period in Paris, Madrid promised his country, but he kept his nationality and his influence in Peru, where he wrote to Péruvia newspapers on current events and translated his works in more than 20 languages.
“With deep sadness, we announce the death of our father, Mario Vargas Yosa, in Lima quietly surrounded by her family.”
In recent months, there have been many rumors about the deterioration of the status of the health writer.
His son Alvaro said last October.
Yusa was one of the 4 pounds, described on the Latin continent as adults, including Argentinian Julio Courtthar, Mexican Carlos Veentes, Colombian Gabriel Garcia Marquez and finally Peruvian Mario Vargas Yosa. Their increase in this continent, and starting with the rest of the world, came from the beginnings of the 1960s, in conjunction with what is known as the boom of the novel of which Latin America witnessed, and these four were among the most important representatives. While mentioning their names, the name of Khorkhi Luis Borges, the Argentinian writer who was recognized to form a map of Latin literature in the 20th century.
It was the novel “The End of the World” That Opened the Way For Vargas Yossa, Which Had A Clear Impact on the Arrival of the Nobel Prize to Him in 2010, That Novel Whose Number Translatered Into Arabic is more than 700, in Which the Writer Deals with the Events of the Civil War Erupted in Northern Brazil, in the late 19th Century, and narrative the story of the “canoud” war, as if he was amazing wall, and reviews of man aspirations are left by these concepts related to the virtuous city.
Yusa had started her life as many intellectuals from Latin America, sympathetic to left objectives, but with the 1980s, he became enthusiastic about the values of free trade and political liberalism. He was not satisfied with this. Rather, he moved to another stage when he participated as the presidential candidate for the Center-Right Stream, during the Peruvian presidential elections which took place in 1990, but he failed to achieve success.
The next day, Yusa continued to express his strong enthusiasm and his clear trend on the right, then he announced his participation in 2014 in Mont Billerin Association, known for his embrace of new liberalism.
Yosa was not as well known for him, hesitating to act, if he saw that the question was necessary, and in this context, his progress can be explained to appoint the presidency of his country. After it has become a believer that he is his moral duty to be an active activist in public life and take a stand to denounce what is issued by totalitarian governments wherever they are.
In this context, it is possible to explain your ascent to the scene, to execute one of the roles of actor, motivated by its strong trend to a theatrical game.
Intellectual turn
Yusa’s ideas had changed readings after the day, which were for senior thinkers, like Adam Smith, Carl Popert and Ortega E Gacite. In his book, which was published under the title “The Call of the Tribe”, he underlined this, because he had lived in France for 7 years, during which he was influenced by the ideas of Albert Camus, and in several dialogues which treated this period, Joa confirmed that his stay in France was a fundamental turn in his life. His passage from Marxism to liberalism was at the origin of this distance which occurred in his relationship with Julio Courtthar, Carlos Fuentes and Gabriel Garcia Marquise.
https://www.youtube.com/watch?v=cirbthenhos
After that, which was remarkable on the way to Vargas Yossa, he described the Cuban leader Fidel Castro as a dictator, and his system is considered one of the ugliest dictatorships in Latin America, while Marquise, the places of wind and Kurtathar expressed their full support for Castro and his system.
During this, the close relationship between Jossa and Marquise ended, due to the personal dispute that developed, to the limit in which the Peruvian writer rushed to direct the punch towards the face of Garcia Marquise, which caused him a dark bruise under the left.
A time before that, Vargas Yossa had spoken in the Spanish capital Madrid, of the nature of the personal and professional relationship which linked it to the marquise of cars, which began to deteriorate because of a difference in the political positions that each of them adopted in the Cuban revolution, and ended completely, after a pride confrontation. I fell into the hall of the Palais des Beaux-Arts in Mexico City, when Garcia Marquez approached to accommodate her opening to her help, but Vargas Yosa without saying a word, hurry up a strong punch on the face of the Colombian writer.
Literature
In her writings, Yosa continued to pay attention to abandoning the past on the present. Human nature is always fixed, no matter how the environment seems to be transformed. With a simple inventory of the characters, the political game of Yusa can be clarified to deliver certain messages in a literary framework, because it controls the characters, which makes it an effective act in the events and resulting at the same time.
When he received an question during an interview with him in 1990 on the reasons she invited to write, Yosa quickly said: “I write because I am not happy. Because writing is a way of fighting and we reincarnate many personalities, we experience a different psychology and mixtures.
In his interview with the French newspaper Le Figaro, Yusa said: “We compose accounts not only to tell an existing reality, but to change it, adding something.” It comes out of the results reflected in the future. Stressing that “times are going through dull political positions, but the great narration remains influential and immortal over time”. Emphasizing the need for that of accepting freedom as an essential element to enjoy a rich and creative culture. Culture cannot be imprisoned, in an ethical, religious or political prison, because we must defend freedom. Because the great literary works have never been politically decent and, in many cases, literature came to the forefront of many things that seemed terrible at first, then became acceptable because they represent mutations and social and cultural.
In this interview, Joa summed up his concept of the writing process, saying: “I think what I like is not to write himself, but rather to rewrite, deletion and correction … And I think they are the most creative and creative parts.”
In November 2021, the Peruvian writer, Peruvian, was elected member of the French Academy, a government organization founded in 1634 to develop and restore the French language.
Vargas Yossa is not the first foreigner to obtain belonging to the French Academy, because it was preceded by the American Julian Green in 1971, and the Canadian of Haiti Danny Lavier origin in 2013.
Experience and history
The actions of Vargas Yosa have been based on his experience in life in Peru since the late 1940s, which led to the presidential elections in 1990, but he lost against Alberto Fujimuri, who was finally forced to flee the country and was then recognized for several crimes and wrote on this subject in his 1993 memories entitled “Fisher in Water”, and in his new “Time of the Academy in a Military Academy in Lima.
Thanks to more than 30 novels, games and journalistic articles, Vargas Yossa has developed the narrative method of a story in several ways that sometimes separate the place or time.
His works went beyond well -known literary forms and placed it in high position among the sons of his generation, which led the label in Latin America in the 1960s.
With different experiences, his writings varied, so he diversified with large forms, visions and subjects, and his novel was “the demonstration of the Ruon child”, his first attempt to write a love story and to praise it as one of the best things he wrote in this genre.